The cover story for the July/August issue of The Atlantic is titled, "The Ideas Issue: How to Fix the World." The article addresses, among other things, the housing mess, the Afghanistan war, the collapsing environment, illegal immigration, and homeland insecurity. A subtext of many of the entries is international terrorism, the most dreadful and symbolic of global threats. These are all but snapshots of the terrible panorama of blood, fire, smoke, and darkness of the present world order.
Except that the word order hardly applies. It's chaos we're living in, and we are weary and sometimes frightened. Among the many filmmakers who paint this reality in vivid hues are the Coen brothers. Their movies always feature a character who brings chaos to the world. Yet whereas in early films, chaos is always brought under control (in Fargo, for example, police chief Marge Gunderson captures the cold-blooded killer Gaer Grimstud), at the end of their last film, No Country for Old Men, chaos is still on the loose.
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